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19th-century scale harmonizations and cadences

Like the scale harmonization or rule of the octave, many of the most commonly used chord progressions have their origins in the 17th and 18th centuries. Recent research has provided insight into 'schemata', or a set of frequently used progressions (also used within the partimento tradition). Each of these schemata has a specific function, such as closing a musical sentence, creating an ascending or descending movement, etc. In his book Music in the Galant Style, Robert Gjerdingen discusses 18th-century schemata in detail. For more interesting examples and research, visit www.essaysonmusic.com by Ewald Demeyere.

1. SCALE HARMONIZATIONS

The developments of the grand piano opened up new possibilities, resulting in modified versions of scale harmonizations, as can be seen in the examples below.

Scale harmonization by August Eberhard Müller (1767-1817) taken from Klavierschule, Anweisung zum Klavier- und Fortepiano-Spiel (1804).

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Scale harmonization by Friedrich Wilhelm Kalkbrenner taken from Traité d'Harmonie du Pianiste (1849).

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Scale harmonization through all keys by Franz Liszt from Technische Studien (1868-73), book 8.

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Scale harmonization by Jospeh Zimmermann from Encyclopédie du pianiste compositeur (1840).

etc.

Scale harmonization by Henry Lemoine from Méthode Théorique et Pratique pour Le Piano (ca.1840).

Scale harmonization by Charles Delioux through all keys from Cours complets d'exercices pour le piano (Paris, 1869).

Scale harmonization for the left hand by Henry Maylath (1827-1883) from Technical Piano Studies (1870).

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Scale harmonization by Clara Wieck Schumann (1819-1896) from Praeludien (?, ca. 1895).

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Chopin's Prelude Nr. 20 in C Minor shows a large part of the descending chromatic scale harmonization.

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Scale harmonization in chromatic contrary motion written in 1829 by Niccolò Paganini (1782-1840) for the young Clara Wieck (1819-1896).

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More examples can be found in the following publications:

Emanuele Imbimbo (1765-1839)

Gamme ou Echelle Musicale (ca.1810)

Carl Czerny (1791-1857)

The Art of Preluding, Op. 300 (Vienna,1833)

Friedrich Wilhelm Kalkbrenner (1775-1849)

Traité d'Harmonie du Pianiste (Paris, 1849) pp. 30-36

2. CADENCES 

(coming soon)

Practice sheet basic and advanced dominant - tonic cadences

Emanuele Imbimbo (1765-1839)

Gamme ou Echelle Musicale (ca.1810)

Anton Schmoll (1841-1925)

Nouvelle Méthode de Piano théorique, pratique et récréative, Opp.91-95 (Paris, 1892)

PRACTICAL HARMONY TREATISES

(coming soon)

Emanuele Imbimbo (1765-1839)

Gamme ou Echelle Musicale (ca.1810)

Anton Schmoll (1841-1925)

Nouvelle Méthode de Piano théorique, pratique et récréative, Opp.91-95 (Paris, 1892)

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